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SWAMI BACK AT SRIRANGAM:
(21) When some of the orthodox people objected to the recital of
Divya Prabandam in the temple on the grounds that they included
the works of Non -Brahmin Alwars, written in Dravida Baasha and
Tiruvoimozhi in particular dealt with Kaama that was taboo for
them. Swami argued with them and convinced them that the holy
collects were equal to the Vedas since they contained all that was
in the Vedas, that since they were in praise of the Lord, the
language did not matter and that the Kaama spoken of was nothing
but absolute devotion to the Lord . He re-instituted the practice
of 'Adhyayana Utsava'- the ceremonial honoring of the Alwars.
(22) Azhagiya Manavaala Naayanaar, brother of Pillai Lokachaarya and
our Swami went to worship Lord Ranganatha. The Naayanaar was captivated
by the feet of the Lord and wanted to compose a Stotra praising the same.
Our Swami felt that the Divya Mani Paadukaas of the Lord were equally
captivating and offered to compose a Stotram on the Sandals of the Lord.
before daybreak the next day. But, he had slept almost till the small
hours of the morning of the appointed day. When there was hardly a couple
of hours to go before sunrise, the agitated disciples woke him up to
remind him of his promise. Instantly, he commenced pouring out
with bewildering rapidity an epic 'Paaduka Sahasram' and completed it well
before daybreak. The 1,000 verses of this epic is an example of literary
excellence and lofty thoughts- a wonderful masterpiece of how a single
subject like the sandals could be expressed in so many different ways and
yet hold up the imagination and interest of the audience!
SWAMI AT SRIVILLIPUTTUR:
(23) When in Srivilliputtur, he composed "Godha Sthuthi", the
Choodik Kodutha Naachiyaar was so pleased that she ordained that
the Stotra should be recited during her Utsavam days along with
Divya Prabhandams. To this day, this recitation is being followed
in Srivilliputtur. After visiting Tirupullaani, Tirukkurugur,
Tiruvananthapuram and other shrines in Malai Nadu and Chozha Nadu,
he returned to Tiru Ayindai.
SWAMI BACK AT TRIU AYINDAI:
(24) Once, a mason wishing to test his skills, as Desika was called
Sarva Tantra Swatantra (master of all arts), challenged him to construct a
well with broken and irregularly shaped bricks that were supplied to
Desika. Desika built a well almost in no time which stands to this day
as a testimony of his dexterity as professional mason.
(25) Once a sculptor offered to provide a base and asked him to make
an image of himself. Desika made an image of himself but when the
sculptor tried to fix it on the base, he could not do so. He tried to
chisel out a portion of the body of the image. Blood flowed from the
corresponding part of the body of Desika. The sculptor admitted that
the fault was in the base made by him. Desika fixed it up in the base
exactly as it should be, like a professional sculptor. Later, this
image was installed by Desika's son Nainarachar at Tiru vaheendra puram.
Anyone visiting Tiru vaheendra puram and offering prayers to the idol, can
never take their eyes off this marvelous Vigraha.
(26) Afraid that they cannot win a debate with Swami, some jains joined
hands with the leaders of other faiths and confronted Swami during a
festival at Tiru Ayindai. Single handed, Swami proved them all wrong by
dashing to ground everyone of their arguments.
The convincing repartees of Swami during this debate is enshrined
in his famous "Para Matha Bhangam"
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